October 6th - October 30th
November 5th - December 4th
The Grenning Gallery is pleased to invite the public to an opening reception on Saturday, November 5th, 2016 from 5:30 pm to 7:00 pm. The show will hang until December 4th.
The Grenning Gallery, with Ben Fenkes guidance and leadership, is hosting the Russian – American Painting Alliance Exhibition, which is showcasing the works from a budding relationship between the two nations painters. This loose group initially formed several years ago, on an invitational plein air painting trip to Russia.
Fenske was inspired to share our amazing landscapes with his new Russian friends, so he organized a painting foray to Maine and Sag Harbor this month. Most of these painters have never been to the United States, so we expect very fresh eyes! They all met a few years ago, when the Russia sponsored a group of painters living in Italy to paint in the hometown of Levitan, arguably the most famous 19th century Russian landscape painter. The Grenning Gallery is fortunate to be hosting four of Russia’s most notable painters for the outdoor painting excursion this month to Mount Desert Island, Deer Island Maine and Sag Harbor. Their trip culminates in this exhibition some of the finest works done in nature. We are delighted to introduce, Olga Karpacheva, Viktor Butko, Irina Rybakova, and Oleg Zhuravlev. They join Ben Fenske and several other notable American plein air painters; Carl Bretzke, Stapleton Kearns, Leo Mancini Hresko, Tim McGuire, and Jesse Powell.
Oleg Zhuravlev (b. 1981 in Furmanov) is a highly praised painter in Russia. He has been granted many native awards, including the Gold Medal of the All-Russian Exhibition, “Symbols of the Fatherland” held in Moscow in 2014.
Olga Karpacheva (b. 1974 in Vologda, USSR) is a well-known painter and her paintings have been displayed in numerous exhibitions throughout Russia. Her work can be found in 5 Russian museums, including the Intinskiy Regional Studies Museum, Volga State Museum and Conservation Ground, and the regional museums of Vytegda, Tot’ma, and Ystyuzhna.
Victor Butko (b. 1978 in Moscow) was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art. Older Russian impressionist artists, Alexei and Sergei Tkachev (they are brothers) claim Butko’s work is the “….next generation of greatness.”
Irina Rybakova (b. 1961 in Vyshny Volochok) is a famous Russian master of landscape. The image of the Russian village and the village worker are her dearest subjects. Her art is appreciated in museums and collections both in Russia and abroad.
We are also introducing some new American painters as well, who will be joining our Ben Fenske and Leo Mancini-Hresko.
Stapleton Kearns (b. 1952, Minnesota) is an essential link to the only bastion of classicism in the United States during the second half of the 20th century. Like most in his generation, when Kearns came of age in the early 70s, there was little or no technical instruction available at his university. Frustrated, he sought out Ives Gammell’s famous Fenway studios in Boston. True to generous ethos embedded in the Atelier culture, Stape (as his friends call him) has openly shared his refined knowledge through a widely followed blog and he teaches workshops throughout the country.
Tim McGuire (b. 1971) Born in 1971, Tim McGuire grew up in Buffalo, NY. After teaching kindergarten in Los Angeles for 10 years, McGuire moved to Florence, Italy where he studied painting. McGuires work has been exhibited in The United States, The United Kingdom, Italy, Russia, and Canada. McGuire lives and paints in Florence.
Jesse Powell (b. 1977 in Los Angeles California) is an award winning painter, who has a BFA from University of Puget Sound, but most interestingly studied under notable Russian painters Nicholai Dubovnik and Ilya Yatsenko as well as John Wundeman in the Republic of Georgia. Influenced by the Californian and other American Impressionists, Powell has won many awards and been exhibited in numerous regional galleries and museums. He is currently the only living artist to have work accepted by the Irvine Museum.
All of these wonderful painters display an artistry and sensitivity in their depiction of Russias beautiful landscape and people. It will be fascinating to see what happens when they turn their Russian eyes onto our Northeastern coastal landscape.
In the Studio: Sarah Lamb
A indepth article of Sarah Lambs career, studio and community, written by Allison Malafronte.
ART REVIEW: Ramiro / Sanchez Paintings Elevate Realism to Visual Poetry
Realism that comes with a whiff of fresh paint has its job cut out for it in an abstract era. The impressive strength of the two-artist exhibition at Sag Harbors Grenning Gallery a bastion of traditional genres, shows the way that impromptu gestures can raise realism to the level of poetry while evading the possible trap of remaining prosaically photographic.
Ramiro | Sanchezpresents a wide-ranging if understated conversation between husband and wife, Ramiro Sanchez and Melissa Franklin Sanchez. The Two Share a studio in Florence and are annual vistors to the East End, where they paint seascapes and compelling portraits, often on commission.
Deceits That Delight
Everything sounds better in French. Translated into English as deceive the eye, trompe loeil is understood universally to be realistic imagery creating the optical illusion that the objects depicted exist in three dimensions. Although this French term appeared four centuries ago, the technique itself has existed since Greeces classical period. Often integrated within architecture to evoke larger spaces or views into nature, trompe loeil really took off in the Italian Renaissance with masters like Andrea Mantegna, then gathered greater steam as the Dutch Old Masters produced thousands of realistic still life paintings.
Those pictures crossed the Atlantic as household decorations and were taken to breathtaking new levels by such American masters as William Harnett (1848–1892) and John F. Peto (1854–1907). In fact, on view now through September 4 at New Jerseys John F. Peto Studio Museum is its biennial juried exhibition of contemporary still life and trompe loeil. The tradition took on added force when American artists such as Richard Haas (b. 1936) began adorning the sides of urban buildings with massive glimpses of distant vistas.
Here we have gathered two dozen recent examples of artists deceiving our eyes. Few are as meticulously detailed as the roundel painted by Marina Dieul on this magazines cover; some are painted from photographs rather than life, one is sculpted, and another covers a giant brick wall. As with all vital traditions, trompe l’oeil is broad enough to be adapted by each artist to suit his or her particular objectives. We salute all of them and look forward to seeing what they create next.